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“We’ll play there’s a strike in the saw-mills, Dutchy, and this is scab labor,” Billy excused amiably. And for a fact the white cotton string carried the messages quite safely from the “Front,” where Jimmy and George laid out the “line” over wonderful grades, across impossible gorges; and “wired” back for further orders. Harry Potter was the operator at the “Front,” and Vilette,—“Women do operate, you know,” she said,—Vilette was the proud holder of “the key” at Headquarters, where Clarence Hammond strutted around as Messenger; and because he was the “son of the Boss,” bullied his Cousin Harry unmercifully.,

The best amusement of the hours of imprisonment was planning for the performance of “The Lady of the Lake.” Nothing definite, except that it was to be out of doors, had unfolded till now, when irksome leisure and May Nell’s quick mind together bore fruit.,

“Yes; but—oh, Billy, it’s awful to have to grow up and be proper. I begged mamma not to put my dresses down, but I’m past thirteen, and big as she is. And—”,

“I hope when you are growed up, my dear, you will never dance them waltzes an’ two-steps. The good Lord carnt love them as does sich things.”

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“Are you as old as us? We’re seven,” Vilette said a bit loftily, as she discovered herself taller than May Nell.,

The old man peered over the steps, and Moses recognized the loose-jointed long-limbed individual who had provided him with such mirth on the previous day.,

“Now, Moses, look sharp. Quit yer foolin’ an’ git busy,” called Mrs. Wopp, to the son and heir, whose toilet was not even begun. She herself was busy braiding Betty’s fair hair. “Be sure to warsh yer neck an’ ears. Larst party we was to, Mis’ Williams says to me, she says, ‘Is that your Moses settin’ on that bench? La me! he seems darker complected than I ever seed him before. I thort he were some Arfrican,’ she says. I hev always been a godly woman, Moses, ef I do go to a dance now an’ agin. Anyhow, the good book says there is a time to dance, but it aint got no patience with dirt. Git yerself cleaned up, then go an’ hook up the team.”,

Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers.